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Luke Hughes and Company is to design new furniture for the extraordinarily beautiful parish church of Holy Trinity Cuckfield

Chancel furniture for Holy Trinity, Cuckfield.

January 2012

Luke Hughes and Company won another design competition in December, to design the new liturgical furnishings for the extraordinarily beautiful parish church of Holy Trinity, Cuckfield, Sussex.

The church traces its origins back to at least the 11th century. Athough the current buildings are largely 13th century, there is much evidence of heavy Victorian restoration, to a very high standard, by G F Bodley and C E Kempe. As part of the re-ordering by their current architect, Nicholas Lee-Evans, the parish have been determined to maintain the quality of this evolution in the new furnishings. The parish had invited a number of furniture designers to compete for the project before approaching Luke Hughes.

Colin Sewell-Rutter, the project chairman, wrote to confirm the appointment of Luke Hughes and Company, saying: ‘I am pleased to report that our team has unanimously decided that you should be chosen to design and fulfil our Chancel furniture commissions. We felt that you, unlike any of the other leading designers we have considered, listened to (and helpfully challenged) not just our own detailed brief but also very carefully to what our very special building is itself saying’.

The project is due for completion in May 2012.

Link to http://www.holytrinitycuckfield.org 
Link to http://www.lee-evans.co.uk








Timber Wave, designed by Amanda Levete, outside the V&A Museum

Designing with hardwoods - lecturing in Rotterdam.

January 2012

Luke Hughes was invited to Rotterdam as a principal guest speaker at the Houtag Conference 2011. Luke was speaking on ‘Where the tactile meets the technical’, a look at how key design factors can help extract the best value (and a 100-year life expectancy) from hardwoods. The lecture continues the series given in by Luke Hughes over the last few years in India, the Middle and Far East, as well as Australasia. Having designed furniture for over 30 years, Luke is uniquely placed to share his expertise with architects and designers and to analyse the trends, characteristics and species available.

Other speakers included Andrew Lawrence, Associate Director of Arup, who spoke about the structural considerations behind the Timber Wave, a sensational three-dimensional latticework timber spiral, designed by Amanda Levete. The Wave is 12 metres in diameter, made in American Red oak, and employs construction techniques and materials normally used in furniture making. The project was sponsored by the American Hardwood Export Council.

http://www.londondesignfestival.com/events/timber-wave-amanda-levete-architects
http://www.houtblad.nl/maak-kennis-met-de-sprekers-van-de-nationale-houtdag.html
http://www.americanhardwood.org
http://www.arup.com








Furniture designers Robin Day and Luke Hughes at a charity abseiling event in 1994

New Dining Chairs for Churchill College.

January 2012

Luke Hughes has been commissioned by Churchill College, Cambridge to design 400 new chairs to replace the originals in the dining hall, designed by Robin Day.  The funding is largely expected to come from alumni whose generosity will be recorded on brass discs on the rear of the chairs. The chairs are expected to be delivered in July 2012.

After 50 years, the chairs had finally come to their end of their natural, economic life - not least because of the modern presssures on Cambridge colleges of the conference trade, which greatly increases the ‘churn’ on furniture during college vacations. ‘It’s a great honour to be able to build on Robin’s knowledge’ said Luke Hughes, ‘fashions have changed and so have manufacturing techniques and today we have more theoretical understanding of the structural problems of timber stacking chairs - not least thanks to research by Cambridge University Engineering Department, which has had many students from Churchill College’.

The college have remained extremely loyal to architect Richard Shephard’s 60s vision for the Grade II* buidlings, as well as to retaining the synthesis of the architecture with its furnishings.

Luke Hughes got to know Robin Day (who died in November 2010 aged 95) through a shared interest in mountaineering - they met through the Alpine Club. Robin was a strong ski-mountaineer, as well as being one of Britain’s most celebrated furniture designers of the 20th century. Luke has climbed the North Face of the Eiger and made many exploratory expeditions to Tibet and the Himalayas (see http://en.wikipedia.org/wiki/Luke_Hughes_(furniture_designer).

http://www.churchillconferences.co.uk/gallery_dining.php
http://designmuseum.org/design/robin-lucienne-day








'25 Degrees' office furniture range - developed in collaboration with Ian Ritchie Architects

November - a good month for awards.

November 2011

Following on the success of the Botanic Institute, November proved to be a good month for Luke Hughes and Company products. The range of furniture for the office HQ of the Sainsbury Family Charitable Trusts was designed in collaboration with Ian Ritchie Architects and was chosen as a finalist in the FX Office Furniture category for 2011.

The furniture scope includes meeting tables, integrated lighting, desks and storage units made in a combination of glass and shot-peened stainless-steel.

http://www.ianritchiearchitects.co.uk
http://www.sfct.org.uk
http://www.lukehughes.co.uk/index.php/about/news_year/2010/#sainsbury








Alan Stanton being presented to the Queen at the opening of the Sainsbury Botanic Institute

Sainsbury Laboratory architect wins Gold Award

November 2011

On 15 November, at the Building Design Architect of the Year Awards, Stanton Williams were awarded Architect of the Year Gold Award. Project architect, Gavin Henderson commented ‘the judges commented that the two projects in our submission were “..two of the most impressive buildings built in the UK over the past 12 months.” The awards clearly reflect more than just our input as architects, but the skill, commitment and dedication of the whole Project Team!’ Alan Stanton wrote ‘thanks so much for the vital contribution in the furniture’.

Luke Hughes and Company was appointed to work closely with Stanton Williams to design and procure all the furniture, most of which is bespoke. The project has been a perfect example of one of the tenets of Luke Hughes’s design philosophy, that in any quality building, the connection between the architecture and the furniture should be seamless. The contract was worth almost £750K.

http://www.gatsby.org.uk/
http://www.sfct.org.uk
http://www.stantonwilliams.com/
http://www.bdonline.co.uk/events/architect-of-the-year/aya-2011







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